Biography
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1908
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Minor Martin White is born on July 9 in Minneapolis, Minnesota
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1915
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George Martin, White’s grandfather and an amateur photographer, gives him a Brownie camera
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1918
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1924
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Martin gives White a carbon arc projector and hundreds of commercial slides of historical and travel photographs
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1927
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1934
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Graduates from the University of Minnesota with a degree in botany and English
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1936
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1937
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Begins using an Argus C3 35mm camera and photographs a trip to Lake Superior with friends
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Moves to Portland, Oregon, and lives at the YMCA while working as a night clerk at the Beverly Hotel
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Works for a photo printer in order to fund purchases of photography equipment
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Begins regularly reading photography books
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1938
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Starts a camera club at the YMCA and sets up a gallery and darkroom
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Sees original pictorialist photographs at the camera club
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1940
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Continues photographing in Portland until June, when he moves to eastern Oregon to teach photography at the La Grande Art Center (a WPA center)
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Begins photographing landscapes in eastern Oregon using a 3 1/4 x 4 1/4 Speed Graphic as a view camera
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Completes his first article on photography, “When Is Photography Creative?” (published in 1943 in American Photography)
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1941
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1942
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First solo exhibition at the Portland Art Museum
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Commissioned by the Portland Art Museum to photograph the Jacobs-Dolph and Knapp-Lindley mansions
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April: he is drafted into the United States Army (24th Infantry Division) and leaves most of his Portland negatives with the Oregon Historical Society before deploying to O’ahu, Hawaii, in May
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1943
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Photographs enlisted men and officers
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July: he is deployed to Camp Caves, near Rockhampton, Australia
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1944
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1945
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He is awarded the Bronze Star and is discharged at Fort Louis, Washington, after leaving the Philippines
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Travels to New York and enrolls in Columbia University’s Extension Division, where he lives in a residence hotel at 628 West 114th Street (now River Hall, Columbia University)
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Becomes close friends with the photography curators Beaumont and Nancy Newhall through the Museum of Modern Art, where he is hired as a photographer and where Beaumont is also employed
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Begins photographing facades in New York City
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1946
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1947
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Assumes teaching position from Ansel Adams and develops a three-year photographic program at the California School of Fine Arts
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Photographs landscapes in the vicinity of San Francisco
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1949
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1950
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1951
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1952
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Cofounds Aperture magazine and becomes production manager and editor; the first issue debuts in April
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1953
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1954
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1955
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1956
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1957
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Commissioned by William H. Gratwick III to photograph peonies and other plants at Linwood, the Gratwick home in Pavilion, New York
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1958
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1959
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Acquires a Leica 35mm camera for color photography
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Purchases a used Chevrolet van and equips it for camping and photography
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In his first trip across the United States, photographs Oregon, California, Nevada, Wyoming, Utah, and South Dakota. He continues his summer trips west until 1967
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1961
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1962
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Cofounds the Society for Photographic Education
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1964
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1965
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Moves to the Boston area and purchases a large home at 203 Park Avenue, Arlington
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Begins teaching photography at the Massachusetts Institute of Technology, as a visiting professor in the School of Architecture and Planning
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Photographs Maine, where he will return regularly in coming years
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1966
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1967
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1968
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1969
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Receives tenure at the Massachusetts Institute of Technology
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Photographs the city of Boston
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David H. McAlpin, Princeton University Class of 1920 and advocate for photography at Princeton, invites him to campus to give the annual Alfred Stieglitz Memorial Photography Lecture; White’s lecture is titled “Photography and Inner Growth”
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Princeton University Art Museum acquires his sequence Sound of One Hand
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November: Publishes Mirrors, Messages, Manifestations
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1970
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1971
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Continues to photograph Massachusetts
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Assists in the founding of Imageworks, a school of photography in Boston
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1972
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1973
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1974
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Visits Europe for the first time and photographs Rome with students from the Massachusetts Institute of Technology
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Spends the summer photographing cities in Peru
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Continues to photograph the city of Boston
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Continues to photograph Maine
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Retires from the faculty of the Massachusetts Institute of Technology
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Peter Bunnell invites him to teach a one-day seminar at Princeton University
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Edits his final issue of Aperture and is hereafter credited as Founding Editor
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1975
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1976
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Photographs solely with a Polaroid SX-70 and spends much of his time reading
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Dies from a second heart attack on June 24 and is buried at Mount Auburn Cemetery in Cambridge, Massachusetts
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Bequeaths his personal photographic archives, papers, library, and collection of original photographs—his own and those by others—to Princeton University
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