Multitudes
Multitudes, an installation of works from the Art Museum’s collections of Modern and Contemporary Art, explores the expressive power of accretion, amalgamation, repetition and collaborative practice across varied media. As systems of production and replication were automated then digitized throughout the twentieth century and into the twenty-first, artists have grappled with the methods and meaning of this development in their practice. Artworks by El Anatsui, Vik Muniz, Howardena Pindell, Allan McCollum, John Baldessari and others ask us to consider questions such as: how does the presence of the artist’s hand, incorporation of chance-based procedures, or reliance on personal memory confront systems of mechanized production?
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Santa AnaSanta Ana, 2016
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UntitledUntitled, 1977
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Throwing Three Balls in the Air to Get a Straight Line (Best of Thirty-Six Attempts)Throwing Three Balls in the Air to Get a Straight Line (Best of Thirty-Six Attempts), 1973
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Large White NetLarge White Net, 1958
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Another PlaceAnother Place, 2014
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NarcissusNarcissus, 2005
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Mat 120 × 165 #19-01Mat 120 × 165 #19-01, 2019
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Four Right AnglesFour Right Angles, 1972
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from The Shapes Projectfrom The Shapes Project, 2005–present
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Details from the view at Point Sublime on the north rim of the Grand Canyon, based on the panoramic drawing by William Holmes (1882).Details from the view at Point Sublime on the north rim of the Grand Canyon, based on the panoramic drawing by William Holmes (1882)., 2007
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Two Journeys into the Hidden PassageTwo Journeys into the Hidden Passage, 2011
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From Nowhere NearFrom Nowhere Near, 1999
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